138 bars of 4/4 at 128 BPM, about 3:48 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 11 more places -- 11.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3 fills to learn, played 6 times: bars 42, 54, 55, 118, 119 and 120.
1 more fill is written out on the fills page.
138 bars across 16 sections: 88 keep time, 6 are fills, 12 are stops and 10 are silent. The longest unbroken stretch of time is bars 96-109.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
138 bars, about 3:48 at the written tempo. The course breaks it into 54 exercises over 22 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 6 times: bars 42, 54, 55, 118, 119 and 120.