240 bars at 240 BPM -- fast, and 4:04 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
76 out of 100: demanding, mostly on how many notes a second it asks for.
snare through bars 1-7, toms through bars 8-14, snare through bars 15-16, toms through bars 17-19, hi-hat through bars 20-22 and toms through bars 23-24, and 42 more changes after that.
The beat the song is built on is one bar, played through bars 31, 151 and 166-172, and 5 more places -- 9.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
187
1e+a2e+a3e+a4e+a
CC |x-------x-------|
SD |--------x-------|
BD |xxxxxxxxxxxxxxxx|30 fills to learn, played 120 times: bars 2, 3, 4, 6, 8, 9 and 114 more.
It cuts the song into 70 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
240 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
76 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 38 out of 100; the rest of the number is everything around it.
240 bars, about 4:04 at the written tempo. The course breaks it into 70 exercises over 24 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
30 fills to learn, played 120 times: bars 2, 3, 4, 6, 8, 9 and 114 more.