129 bars of 4/4 at 120 BPM, about 4:18 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8-10, 12-14 and 19-22, and 7 more places -- 24% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
6 fills to learn, played 24 times: bars 15, 16, 37, 38, 61, 62 and 18 more.
2 more fills are written out on the fills page.
129 bars across 10 sections: 89 keep time, 24 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 39-51.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 71 out of 100; the rest of the number is everything around it.
129 bars, about 4:18 at the written tempo. The course breaks it into 30 exercises over 11 sittings, about 24 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 24 times: bars 15, 16, 37, 38, 61, 62 and 18 more.