81 bars of 4/4 at 123 BPM, about 2:37 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 4, 6 and 8, and 11 more places -- 17.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 16 times: bars 1, 2, 3, 5, 11, 17 and 10 more.
6 more fills are written out on the fills page.
81 bars across 7 sections: 50 keep time, 16 are fills, 5 are stops and 3 are silent. The longest unbroken stretch of time is bars 53-64.
123 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
81 bars, about 2:37 at the written tempo. The course breaks it into 26 exercises over 8 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 16 times: bars 1, 2, 3, 5, 11, 17 and 10 more.