169 bars of 4/4 at 112 BPM, about 6:02 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 11, 13 and 15, and 20 more places -- 26.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
16 fills to learn, played 44 times: bars 2, 3, 4, 10, 24, 26 and 38 more.
12 more fills are written out on the fills page.
169 bars across 21 sections: 94 keep time, 44 are fills, 5 are stops and 2 are silent. The longest unbroken stretch of time is bars 45-56.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
169 bars, about 6:02 at the written tempo. The course breaks it into 58 exercises over 17 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 44 times: bars 2, 3, 4, 10, 24, 26 and 38 more.