155 bars of 3/4 -- not four -- at 139 BPM, 3:45 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 1-3, 5-7 and 9-11, and 13 more places -- 30.5% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 9 times: bars 16, 32, 40, 64, 80, 88 and 3 more.
3 more fills are written out on the fills page.
155 bars across 9 sections: 100 keep time, 9 are fills, 39 are stops and 1 is silent. The longest unbroken stretch of time is bars 97-112.
139 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 51 out of 100; the rest of the number is everything around it.
155 bars, about 3:45 at the written tempo. The course breaks it into 32 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 9 times: bars 16, 32, 40, 64, 80, 88 and 3 more.