85 bars of 4/4 at 120 BPM, about 2:50 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 62-68 -- 9.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 10 times: bars 8, 9, 10, 33, 45, 47 and 4 more.
1 more fill is written out on the fills page.
85 bars across 16 sections: 39 keep time, 10 are fills, 8 are stops and 14 are silent. The longest unbroken stretch of time is bars 62-68.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 64 out of 100; the rest of the number is everything around it.
85 bars, about 2:50 at the written tempo. The course breaks it into 33 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 10 times: bars 8, 9, 10, 33, 45, 47 and 4 more.