145 bars of 4/4 at 130 BPM, about 4:28 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 2, 4 and 7, and 16 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
10 fills to learn, played 30 times: bars 29, 33, 37, 38, 39, 42 and 24 more.
6 more fills are written out on the fills page.
145 bars across 16 sections: 81 keep time, 30 are fills, 16 are stops and 5 are silent. The longest unbroken stretch of time is bars 88-97.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 11 out of 100; the rest of the number is everything around it.
145 bars, about 4:28 at the written tempo. The course breaks it into 47 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 30 times: bars 29, 33, 37, 38, 39, 42 and 24 more.