193 bars of 4/4 at 120 BPM, about 6:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 69-76, 83-84 and 125-132, and 2 more places -- 13% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 29 times: bars 38, 39, 40, 41, 42, 44 and 23 more.
5 more fills are written out on the fills page.
200 bars across 23 sections: 118 keep time, 30 are fills and 24 are stops. The longest unbroken stretch of time is bars 174-184.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 72 out of 100; the rest of the number is everything around it.
193 bars, about 6:12 at the written tempo. The course breaks it into 80 exercises over 27 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 29 times: bars 38, 39, 40, 41, 42, 44 and 23 more.