213 bars of 3/4 -- not four -- at 117 BPM, 5:43 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 41-43, 45-47 and 49-53, and 7 more places -- 21.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 31 times: bars 32, 54, 58, 76, 89, 90 and 25 more.
12 more fills are written out on the fills page.
213 bars across 18 sections: 137 keep time, 31 are fills, 8 are stops and 23 are silent. The longest unbroken stretch of time is bars 9-23.
117 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 49 out of 100; the rest of the number is everything around it.
213 bars, about 5:43 at the written tempo. The course breaks it into 64 exercises over 18 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 31 times: bars 32, 54, 58, 76, 89, 90 and 25 more.