132 bars of 4/4 at 130 BPM, about 4:04 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 13-15, 17-19 and 31, and 9 more places -- 14.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 20 times: bars 5, 6, 7, 8, 12, 16 and 14 more.
11 more fills are written out on the fills page.
132 bars across 14 sections: 55 keep time, 20 are fills, 31 are stops and 8 are silent. The longest unbroken stretch of time is bars 71-76.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 20 out of 100; the rest of the number is everything around it.
132 bars, about 4:04 at the written tempo. The course breaks it into 53 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 20 times: bars 5, 6, 7, 8, 12, 16 and 14 more.