233 bars of 4/4 at 132 BPM, about 7:04 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 51-53, and 5 more places -- 9.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
22 fills to learn, played 51 times: bars 4, 8, 27, 28, 36, 44 and 45 more.
18 more fills are written out on the fills page.
233 bars across 34 sections: 127 keep time, 51 are fills, 12 are stops and 10 are silent. The longest unbroken stretch of time is bars 14-26.
132 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
233 bars, about 7:04 at the written tempo. The course breaks it into 108 exercises over 28 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
22 fills to learn, played 51 times: bars 4, 8, 27, 28, 36, 44 and 45 more.