146 bars of 8/4 -- not four -- at 121 BPM, 8:38 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 22-24, 27-29 and 52-54, and 1 more place -- 16.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 30 times: bars 11, 16, 21, 25, 26, 30 and 24 more.
8 more fills are written out on the fills page.
146 bars across 11 sections: 31 keep time, 30 are fills, 6 are stops and 72 are silent. The longest unbroken stretch of time is bars 17-20.
121 BPM, in 8/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
83 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 100 out of 100; the rest of the number is everything around it.
146 bars, about 8:38 at the written tempo. The course breaks it into 31 exercises over 13 sittings, about 21 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 30 times: bars 11, 16, 21, 25, 26, 30 and 24 more.