238 bars of 6/4 -- not four -- at 68 BPM, 18:08 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-6, ride through bars 7-22, hi-hat through bars 23-37, snare through bars 38-41, ride through bars 42-45 and snare through bars 46-49, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 29-35, 58-60 and 62-65 -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
29
1e+a2e+a3e+a4e+a5e+a6e+a
CC |x-----------------------|
HH |------o-----o-----o-----|
SD |------x-----------x-----|
BD |x-------x-x---x-x---x---|26 fills to learn, played 49 times: bars 6, 10, 11, 12, 13, 14 and 43 more.
It cuts the song into 58 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
68 BPM, in 6/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
238 bars, about 18:08 at the written tempo. The course breaks it into 58 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 49 times: bars 6, 10, 11, 12, 13, 14 and 43 more.