238 bars of 6/4 -- not four -- at 68 BPM, 18:08 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 29-35, 58-60 and 62-65 -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 49 times: bars 6, 10, 11, 12, 13, 14 and 43 more.
22 more fills are written out on the fills page.
238 bars across 15 sections: 54 keep time, 49 are fills, 5 are stops and 119 are silent. The longest unbroken stretch of time is bars 29-36.
68 BPM, in 6/4, with the time kept in sixteenth notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
53 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
238 bars, about 18:08 at the written tempo. The course breaks it into 58 exercises over 14 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 49 times: bars 6, 10, 11, 12, 13, 14 and 43 more.