242 bars of 4/4 at 140 BPM, about 10:20 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 125, 127 and 129, and 10 more places -- 12.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 81 times: bars 5, 6, 7, 8, 9, 10 and 75 more.
6 more fills are written out on the fills page.
242 bars across 9 sections: 69 keep time, 81 are fills, 6 are stops and 77 are silent. The longest unbroken stretch of time is bars 126-151.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 52 out of 100; the rest of the number is everything around it.
242 bars, about 10:20 at the written tempo. The course breaks it into 44 exercises over 16 sittings, about 27 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 81 times: bars 5, 6, 7, 8, 9, 10 and 75 more.