100 bars of 4/4 at 114 BPM, about 3:33 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22-25, 28-29 and 52-55, and 11 more places -- 30.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 fills to learn, played 18 times: bars 2, 3, 4, 5, 6, 30 and 12 more.
1 more fill is written out on the fills page.
100 bars across 9 sections: 63 keep time, 18 are fills, 7 are stops and 4 are silent. The longest unbroken stretch of time is bars 10-20.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
59 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
100 bars, about 3:33 at the written tempo. The course breaks it into 21 exercises over 6 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 18 times: bars 2, 3, 4, 5, 6, 30 and 12 more.