143 bars of 4/4 at 145 BPM, about 3:57 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6, 8 and 10, and 20 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 12 times: bars 13, 28, 29, 46, 61, 62 and 6 more.
4 more fills are written out on the fills page.
143 bars across 13 sections: 81 keep time, 12 are fills, 30 are stops and 6 are silent. The longest unbroken stretch of time is bars 92-102.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
143 bars, about 3:57 at the written tempo. The course breaks it into 48 exercises over 14 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 12 times: bars 13, 28, 29, 46, 61, 62 and 6 more.