105 bars of 4/4 at 120 BPM, about 3:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 93-104 -- 14.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 7 times: bars 32, 48, 54, 55, 56, 72 and 1 more.
1 more fill is written out on the fills page.
105 bars across 12 sections: 64 keep time, 7 are fills, 7 are stops and 20 are silent. The longest unbroken stretch of time is bars 73-87.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 76 out of 100; the rest of the number is everything around it.
105 bars, about 3:29 at the written tempo. The course breaks it into 36 exercises over 12 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 7 times: bars 32, 48, 54, 55, 56, 72 and 1 more.