131 bars of 3/4 -- not four -- at 120 BPM, 3:42 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 8-11 and 16-19 -- 7.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
142 bars across 17 sections: 82 keep time, 1 is a stop and 39 are silent. The longest unbroken stretch of time is bars 52-66.
120 BPM, in 3/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
28 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 16 out of 100; the rest of the number is everything around it.
131 bars, about 3:42 at the written tempo. The course breaks it into 40 exercises over 9 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.