218 bars of 4/4 at 124 BPM, about 6:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-6, ride through bars 7-22, hi-hat through bars 23-47, ride through bars 48-63, hi-hat through bars 64-86 and snare through bars 87-89, and 11 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 49-54, 57-61 and 90-95, and 5 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
49 50
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |----------------|----x---x---x---|
RD |x---x---x---x---|x---------------|
SD |----x-------x---|----x---x---x---|
BD |--x-----x-xx--x-|x-xx--x---x-----|27 fills to learn, played 66 times: bars 8, 10, 20, 22, 34, 46 and 60 more.
It cuts the song into 86 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
218 bars, about 6:10 at the written tempo. The course breaks it into 86 exercises over 28 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 66 times: bars 8, 10, 20, 22, 34, 46 and 60 more.