218 bars of 4/4 at 124 BPM, about 6:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 49-54, 57-61 and 90-95, and 5 more places -- 13.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
27 fills to learn, played 66 times: bars 8, 10, 20, 22, 34, 46 and 60 more.
23 more fills are written out on the fills page.
218 bars across 17 sections: 113 keep time, 66 are fills, 12 are stops and 4 are silent. The longest unbroken stretch of time is bars 24-33.
124 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
218 bars, about 6:10 at the written tempo. The course breaks it into 86 exercises over 28 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
27 fills to learn, played 66 times: bars 8, 10, 20, 22, 34, 46 and 60 more.