50 bars of 4/4 at 120 BPM, about 1:40 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 38-40 and 49 -- 8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 fills to learn, played 13 times: bars 5, 7, 9, 11, 13, 17 and 7 more.
5 more fills are written out on the fills page.
50 bars across 7 sections: 25 keep time, 13 are fills and 5 are stops. The longest unbroken stretch of time is bars 1-4.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 37 out of 100; the rest of the number is everything around it.
50 bars, about 1:40 at the written tempo. The course breaks it into 35 exercises over 11 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 5, 7, 9, 11, 13, 17 and 7 more.