138 bars of 4/4 at 116 BPM, about 4:42 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 34-38, 40-41 and 81-85, and 3 more places -- 15.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
8 fills to learn, played 24 times: bars 25, 33, 39, 43, 45, 71 and 18 more.
4 more fills are written out on the fills page.
138 bars across 13 sections: 98 keep time, 24 are fills and 1 is a stop. The longest unbroken stretch of time is bars 1-22.
116 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
138 bars, about 4:42 at the written tempo. The course breaks it into 44 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 24 times: bars 25, 33, 39, 43, 45, 71 and 18 more.