131 bars of 4/4 at 136 BPM, about 3:51 of playing, on crash, hi-hat, snare and kick.
The beat the song is built on is a 2-bar phrase, played through bars 17-24, 29-36 and 67-74 -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 13 times: bars 45, 46, 47, 48, 49, 50 and 7 more.
131 bars across 13 sections: 90 keep time, 13 are fills, 7 are stops and 11 are silent. The longest unbroken stretch of time is bars 17-41.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
131 bars, about 3:51 at the written tempo. The course breaks it into 21 exercises over 7 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 13 times: bars 45, 46, 47, 48, 49, 50 and 7 more.