131 bars of 4/4 at 136 BPM, about 3:51 of playing, on crash, hi-hat, snare and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-6, silence through bars 7-8, hi-hat through bars 9-98, kick and crashes through bars 99-100 and snare through bars 101-110, and 2 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 17-24, 29-36 and 67-74 -- 20% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 18
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-g-x-g-x-x-x-g-|x-g-x-g-x-x-x-o-|
SD |----x-------x---|----x---------x-|
BD |--x-----x-x-----|x-x-----x-x-----|2 fills to learn, played 13 times: bars 45, 46, 47, 48, 49, 50 and 7 more.
It cuts the song into 21 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
136 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
131 bars, about 3:51 at the written tempo. The course breaks it into 21 exercises over 7 sittings, about 24 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 13 times: bars 45, 46, 47, 48, 49, 50 and 7 more.