262 bars of 4/4 at 128 BPM, about 8:12 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20-22, 24 and 28-30, and 5 more places -- 7.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
32 fills to learn, played 74 times: bars 2, 4, 6, 7, 8, 15 and 68 more.
28 more fills are written out on the fills page.
262 bars across 26 sections: 105 keep time, 74 are fills, 45 are stops and 14 are silent. The longest unbroken stretch of time is bars 121-130.
128 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 48 out of 100; the rest of the number is everything around it.
262 bars, about 8:12 at the written tempo. The course breaks it into 107 exercises over 34 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
32 fills to learn, played 74 times: bars 2, 4, 6, 7, 8, 15 and 68 more.