94 bars of 4/4 at 135 BPM, about 2:47 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 26-31, 38-39 and 61, and 4 more places -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
16 fills to learn, played 36 times: bars 8, 12, 14, 16, 18, 19 and 30 more.
12 more fills are written out on the fills page.
94 bars across 8 sections: 30 keep time, 36 are fills and 17 are stops. The longest unbroken stretch of time is bars 1-5.
135 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 22 out of 100; the rest of the number is everything around it.
94 bars, about 2:47 at the written tempo. The course breaks it into 44 exercises over 12 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 36 times: bars 8, 12, 14, 16, 18, 19 and 30 more.