126 bars of 4/4 at 112 BPM, about 4:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 87-93, 95-117 and 119-126 -- 31.1% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
4 fills to learn, played 6 times: bars 29, 37, 54, 86, 94 and 118.
126 bars across 7 sections: 109 keep time, 6 are fills, 1 is a stop and 4 are silent. The longest unbroken stretch of time is bars 95-117.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
126 bars, about 4:30 at the written tempo. The course breaks it into 22 exercises over 6 sittings, about 23 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 6 times: bars 29, 37, 54, 86, 94 and 118.