152 bars of 4/4 at 130 BPM, about 4:36 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 6-12, 39-45 and 120-126, and 2 more places -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5 fills to learn, played 8 times: bars 13, 21, 29, 46, 62, 74 and 2 more.
1 more fill is written out on the fills page.
152 bars across 17 sections: 109 keep time, 8 are fills, 2 are stops and 13 are silent. The longest unbroken stretch of time is bars 119-130.
130 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 42 out of 100; the rest of the number is everything around it.
152 bars, about 4:36 at the written tempo. The course breaks it into 50 exercises over 17 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 13, 21, 29, 46, 62, 74 and 2 more.