392 bars of 4/4 at a walking 100 BPM, 15:33 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, kick and crashes through bars 5-8, silence through bars 9-19, snare through bars 20-35, hi-hat through bars 36-68 and silence through bars 69-71, and 16 more changes after that.
The beat the song is built on is one bar, played through bars 104-106, 108-110 and 112-114, and 13 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
121
1e+a2e+a3e+a
CC |x-----------|
HH |--o-o-o-o-o-|
SD |------x-----|
BD |x--x-x--x-x-|29 fills to learn, played 66 times: bars 5, 7, 43, 59, 63, 65 and 60 more.
It cuts the song into 90 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 51 out of 100; the rest of the number is everything around it.
392 bars, about 15:33 at the written tempo. The course breaks it into 90 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
29 fills to learn, played 66 times: bars 5, 7, 43, 59, 63, 65 and 60 more.