392 bars of 4/4 at a walking 100 BPM, 15:33 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 104-106, 108-110 and 112-114, and 13 more places -- 18.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
29 fills to learn, played 66 times: bars 5, 7, 43, 59, 63, 65 and 60 more.
25 more fills are written out on the fills page.
392 bars across 31 sections: 181 keep time, 66 are fills, 30 are stops and 90 are silent. The longest unbroken stretch of time is bars 21-35.
100 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
41 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 51 out of 100; the rest of the number is everything around it.
392 bars, about 15:33 at the written tempo. The course breaks it into 90 exercises over 22 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
29 fills to learn, played 66 times: bars 5, 7, 43, 59, 63, 65 and 60 more.