295 bars, 21:19, at 55 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
The beat the song is built on is one bar, played through bars 63-65, 67-68 and 70-73, and 5 more places -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
25 fills to learn, played 40 times: bars 3, 7, 11, 13, 22, 26 and 34 more.
21 more fills are written out on the fills page.
295 bars across 31 sections: 172 keep time, 40 are fills, 15 are stops and 40 are silent. The longest unbroken stretch of time is bars 264-294.
55 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
66 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 32 out of 100; the rest of the number is everything around it.
295 bars, about 21:19 at the written tempo. The course breaks it into 99 exercises over 30 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
25 fills to learn, played 40 times: bars 3, 7, 11, 13, 22, 26 and 34 more.