134 bars of 4/4 at 120 BPM, about 4:28 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 90-96, 98-100 and 102-104, and 4 more places -- 29.8% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 22 times: bars 19, 23, 24, 25, 26, 27 and 16 more.
7 more fills are written out on the fills page.
134 bars across 9 sections: 86 keep time, 22 are fills, 5 are stops and 10 are silent. The longest unbroken stretch of time is bars 118-132.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
134 bars, about 4:28 at the written tempo. The course breaks it into 39 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 22 times: bars 19, 23, 24, 25, 26, 27 and 16 more.