356 bars of 4/4 at 120 BPM, about 11:52 of playing, on crash, ride, hi-hat, snare and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, ride through bars 5-67, silence through bars 68-99, hi-hat through bars 100-183, silence through bars 184-187 and hi-hat through bars 188-356.
The beat the song is built on is a 2-bar phrase, played through bars 100-103, 108-111 and 116-120, and 10 more places -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
108 109
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----x---x---x---|x---x---x---x---|
SD |--------x-x-x---|--------x-x-x---|
BD |x-------------x-|x-----x---------|2 fills to learn, played 10 times: bars 107, 117, 119, 121, 123, 125 and 4 more.
It cuts the song into 80 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
356 bars, about 11:52 at the written tempo. The course breaks it into 80 exercises over 23 sittings, about 26 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 10 times: bars 107, 117, 119, 121, 123, 125 and 4 more.