356 bars of 4/4 at 120 BPM, about 11:52 of playing, on crash, ride, hi-hat, snare and kick.
The beat the song is built on is a 2-bar phrase, played through bars 100-103, 108-111 and 116-120, and 10 more places -- 11.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
2 fills to learn, played 10 times: bars 107, 117, 119, 121, 123, 125 and 4 more.
356 bars across 38 sections: 252 keep time, 10 are fills, 15 are stops and 40 are silent. The longest unbroken stretch of time is bars 141-156.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 31 out of 100; the rest of the number is everything around it.
356 bars, about 11:52 at the written tempo. The course breaks it into 80 exercises over 23 sittings, about 26 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 10 times: bars 107, 117, 119, 121, 123, 125 and 4 more.