240 bars of 4/4 at 125 BPM, about 7:31 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 158, 179 and 181-183, and 10 more places -- 18.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
28 fills to learn, played 40 times: bars 10, 33, 34, 42, 43, 46 and 34 more.
24 more fills are written out on the fills page.
240 bars across 25 sections: 151 keep time, 40 are fills, 20 are stops and 2 are silent. The longest unbroken stretch of time is bars 179-195.
125 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
79 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 54 out of 100; the rest of the number is everything around it.
240 bars, about 7:31 at the written tempo. The course breaks it into 106 exercises over 34 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
28 fills to learn, played 40 times: bars 10, 33, 34, 42, 43, 46 and 34 more.