303 bars of 4/4 at 115 BPM, about 10:05 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 222-224, 226-228 and 230, and 5 more places -- 8.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26 fills to learn, played 38 times: bars 30, 34, 38, 40, 50, 54 and 32 more.
22 more fills are written out on the fills page.
303 bars across 28 sections: 174 keep time, 38 are fills, 7 are stops and 71 are silent. The longest unbroken stretch of time is bars 174-188.
115 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
62 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
303 bars, about 10:05 at the written tempo. The course breaks it into 97 exercises over 32 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
26 fills to learn, played 38 times: bars 30, 34, 38, 40, 50, 54 and 32 more.