92 bars of 4/4 at 134 BPM, about 2:45 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 9-15, 33-39 and 41-47 -- 25.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 14 times: bars 24, 26, 28, 30, 40, 48 and 8 more.
3 more fills are written out on the fills page.
92 bars across 9 sections: 48 keep time, 14 are fills, 14 are stops and 9 are silent. The longest unbroken stretch of time is bars 9-15.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
92 bars, about 2:45 at the written tempo. The course breaks it into 30 exercises over 7 sittings, about 29 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 14 times: bars 24, 26, 28, 30, 40, 48 and 8 more.