1137 bars of 3/4 -- not four -- at 137 BPM, 25:57 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 168-176, 181 and 225, and 14 more places -- 11% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
52 fills to learn, played 117 times: bars 16, 22, 24, 32, 36, 39 and 111 more.
48 more fills are written out on the fills page.
1137 bars across 94 sections: 502 keep time, 125 are fills, 217 are stops and 200 are silent. The longest unbroken stretch of time is bars 538-571.
137 BPM, in 3/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 70 out of 100; the rest of the number is everything around it.
1137 bars, about 25:57 at the written tempo. The course breaks it into 265 exercises over 76 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
52 fills to learn, played 117 times: bars 16, 22, 24, 32, 36, 39 and 111 more.