133 bars of 4/4 at 149 BPM, about 3:33 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 2-16, 34-36 and 38-44, and 1 more place -- 25.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
11 fills to learn, played 20 times: bars 25, 33, 37, 53, 65, 69 and 14 more.
7 more fills are written out on the fills page.
133 bars across 12 sections: 75 keep time, 20 are fills, 19 are stops and 7 are silent. The longest unbroken stretch of time is bars 1-16.
149 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
133 bars, about 3:33 at the written tempo. The course breaks it into 35 exercises over 9 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 20 times: bars 25, 33, 37, 53, 65, 69 and 14 more.