187 bars of 4/4 at 113 BPM, about 6:29 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 22-24, 44-46 and 48-50, and 4 more places -- 10.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
17 fills to learn, played 60 times: bars 18, 19, 20, 21, 25, 29 and 54 more.
13 more fills are written out on the fills page.
187 bars across 18 sections: 89 keep time, 60 are fills, 13 are stops and 1 is silent. The longest unbroken stretch of time is bars 2-9.
113 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 28 out of 100; the rest of the number is everything around it.
187 bars, about 6:29 at the written tempo. The course breaks it into 65 exercises over 18 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 60 times: bars 18, 19, 20, 21, 25, 29 and 54 more.