71 bars of 4/4 at a walking 80 BPM, 3:29 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 20-26, 29 and 43-50, and 1 more place -- 23.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
4 fills to learn, played 8 times: bars 1, 30, 31, 53, 54, 55 and 2 more.
71 bars across 5 sections: 56 keep time and 8 are fills. The longest unbroken stretch of time is bars 2-18.
80 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
64 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 57 out of 100; the rest of the number is everything around it.
71 bars, about 3:29 at the written tempo. The course breaks it into 20 exercises over 7 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 8 times: bars 1, 30, 31, 53, 54, 55 and 2 more.