188 bars of 4/4 at 120 BPM, about 6:12 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 32-33, 36-37 and 40-41, and 9 more places -- 12.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 29 times: bars 9, 11, 26, 34, 35, 42 and 23 more.
3 more fills are written out on the fills page.
188 bars across 20 sections: 122 keep time, 29 are fills and 9 are stops. The longest unbroken stretch of time is bars 96-106.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 26 out of 100; the rest of the number is everything around it.
188 bars, about 6:12 at the written tempo. The course breaks it into 56 exercises over 16 sittings, about 26 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 29 times: bars 9, 11, 26, 34, 35, 42 and 23 more.