115 bars, 6:13, at 72 BPM: slow enough that every note is exposed. Crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot and nothing else.
The beat the song is built on is one bar, played through bars 12-14, 18-19 and 22-23, and 10 more places -- 28.7% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
7 fills to learn, played 11 times: bars 25, 27, 48, 50, 68, 76 and 5 more.
4 more fills are written out on the fills page.
115 bars across 11 sections: 75 keep time, 11 are fills and 16 are stops. The longest unbroken stretch of time is bars 84-94.
72 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
61 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 34 out of 100; the rest of the number is everything around it.
115 bars, about 6:13 at the written tempo. The course breaks it into 32 exercises over 9 sittings, about 29 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 25, 27, 48, 50, 68, 76 and 5 more.