164 bars of 4/4 at 128 BPM, about 5:08 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 37-50 and 77-90 -- 19.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
7 fills to learn, played 11 times: bars 59, 60, 91, 92, 100, 108 and 5 more.
3 more fills are written out on the fills page.
164 bars across 15 sections: 118 keep time, 11 are fills and 20 are silent. The longest unbroken stretch of time is bars 38-52.
128 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
51 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 35 out of 100; the rest of the number is everything around it.
164 bars, about 5:08 at the written tempo. The course breaks it into 44 exercises over 11 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 11 times: bars 59, 60, 91, 92, 100, 108 and 5 more.