120 bars of 4/4 at 140 BPM, about 3:26 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is a 2-bar phrase, played through bars 41-42, 49-51 and 53-54, and 7 more places -- 27.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
2 fills to learn, played 3 times: bars 48, 84 and 110.
120 bars across 12 sections: 67 keep time, 3 are fills, 16 are stops and 28 are silent. The longest unbroken stretch of time is bars 17-32.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
120 bars, about 3:26 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 3 times: bars 48, 84 and 110.