295 bars of 4/4 at 140 BPM, about 8:24 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
The beat the song is built on is one bar, played through bars 35-37, 43-45 and 79-93, and 3 more places -- 19.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
15 fills to learn, played 31 times: bars 5, 38, 102, 103, 104, 105 and 25 more.
11 more fills are written out on the fills page.
295 bars across 26 sections: 209 keep time, 31 are fills, 15 are stops and 15 are silent. The longest unbroken stretch of time is bars 247-277.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
52 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
295 bars, about 8:24 at the written tempo. The course breaks it into 79 exercises over 21 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
15 fills to learn, played 31 times: bars 5, 38, 102, 103, 104, 105 and 25 more.