81 bars of 4/4 at a walking 77 BPM, 4:12 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
The beat the song is built on is one bar, played through bars 6-8, 10-15 and 22-24, and 3 more places -- 28.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3 fills to learn, played 8 times: bars 16, 20, 32, 36, 52, 56 and 2 more.
81 bars across 10 sections: 58 keep time, 8 are fills, 2 are stops and 3 are silent. The longest unbroken stretch of time is bars 58-71.
77 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 50 out of 100; the rest of the number is everything around it.
81 bars, about 4:12 at the written tempo. The course breaks it into 27 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 16, 20, 32, 36, 52, 56 and 2 more.