113 bars of 4/4 at 140 BPM, about 3:14 of playing, on crash, ride, hi-hat, snare, floor tom and kick.
The beat the song is built on is a 2-bar phrase, played through bars 1-8, 11 and 13, and 3 more places -- 14.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11 fills to learn, played 19 times: bars 9, 10, 22, 24, 29, 30 and 13 more.
7 more fills are written out on the fills page.
113 bars across 13 sections: 56 keep time, 19 are fills, 22 are stops and 8 are silent. The longest unbroken stretch of time is bars 11-21.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
113 bars, about 3:14 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 19 times: bars 9, 10, 22, 24, 29, 30 and 13 more.